Artist’s Bio & Statement

Kasia Molga is a media artists/designer/environmentalist and creative coder who works on intersection of art, science, design and technology. Through her practice she examines changes in our perception and relationship with the planet in the context of climate change and unforeseen futures in this increasingly technologically mediated world.
She does that by exploring various aspects of transmitting and manifesting real time environmental and biological data and seek to facilitate an agency for sources of that data. That way she attempts to give a beginning to a dialogue between viewers and the source or entity from which the data originates, so that the representation of that data becomes a language of that source.
She creates interactive, participatory and immersive visual and spatial experiences and narratives, often using Open Source and Hardware technologies and techniques, bespokely created electronics, user interfaces and code, but also plays with more analogue and traditional visuals, animations, film, photography or sometimes hand-drawn pictures.

Kasia is a co-founder and principal investigator of an award winning interdisciplinary collective World Wilder Lab (www.worldwilderlab.net), funding member of Open H2O (former Protei Collective) and holds MA in Interdisciplinary Design Studies (Central Saint Martin College of Arts and Design). She is a regular visiting lecturer at Brunel University, consultant and supervisor for students from University of the Arts London and The Bartlett School of Architecture and Principle of Design and Innovation Faculty in Malaysia Limkokwing University of Creative Technologies. She also taught in Federal University Rio De Janeiro, University of Creative Arts in Londin and University of Greenwich. She has also worked as an Interactive Art Director and Digital Designer for many years. She presents at conferences and publish papers regularly.

Key words: media arts, interactive design, technology, science, interdisciplinary, hybrid, hyperlinked,robotics, ai, interconnectedness, multi-sensory interfaces, bioart, ecology, activism, hactivism, hacking, biodiversity, responsive environment, open source, open hardware.

………………………………………………………………………………………………………………………………………………………………………………………………………………

AFFILIATIONS

FutureEverything
V2_ Institute for the Unstable Media
OCP – ocean collaboration platform
Protei
Invisible Dust
World Wilder Lab

………………………………………………………………………………………………………………………………………………………………………………………………………………

ACADEMIA

Education:

MA at Central Saint Martin College of Arts and Design, London, Interdisciplinary Design Studies
BA at Central Saint Martin College of Arts and Design, London, Fine Art: Film & Video
Academy of Fine Arts in Poznan, Poland, Department of Fine Arts and Design, Specialization: Multimedia and Animation

Teaching:

2013/14 Visiting Senior Lecturer at Brunel University, London, Department of Design and Engineering
2013/14 Principle Lecturer and Program Leader at Limkokwing University of Creative Technology, Faculty of Design Innovation (BA)
2013 External Adviser to Interactive Architecture Lab, The Bartlett School of Architecture, University College London
2010 – 2011 Module Leader at the Computer Animation Msc course, British Institute of Technology and Ecommerce
2009 – 2011 Senior Lecturer at Limkokwing University of Creative Technology, Department of Design Innovation (BA)
2003-2005 Lecturer at University of Greenwich, Deparment of Graphic and Digital Design (BA)
2002 – 2004 Lecturer at Westminster Kingsway College, Print Design and Animation, AS Levels.

………………………………………………………………………………………………………………………………………………………………………………………………………………

NOMINATIONS / AWARDS

2015 WELLCOME TRUST AWARD through Invisible Dust commission to produce and exhibit the Human Sensor (www.humansensor.eu).
2015 NICE AWARD Network for Innovation in Culture and Creative in Europe Award – for World Wilder Lab research on PlanEt device and its application in smart cities.
2015 CREATIVEWORKS LONDON The CEiR award for the residency in Chelsea College of Arts, UAL, London – for World Wilder Lab research on PlanEt device and acquisition and artistic interpretation of bio-data from plants.
2014 ODI NODE SHEFFIELD, BETTER WITH DATA SOCIETY for working with real time environmental data and The Anatomy Of Human Breath
2014 ICT-ART EU COMMISSION AWARD for working with art, science and technology for The Anatomy Of Human Breath
2013 WELCOME TRUST AWARD from Invisible Heat initiative
2013 ISIS ARTS: shortlisted for residency for research on real time environmental data visualisation
2012 ODI Institute – Shortlisted to a Data Visualisation Prize
2012 PRIX ARS ELECTRONICA – Honorary Mention in Hybrid Arts Category for “Protei” and “Oil Compass”
2011 ISIS Arts – shortlisted for residency for “Oil Compass”
2011 MADE nomination for “Layers of Frozen Shadow” proposal (with Camille Baker)
2010 Clear Channel Awards Nomination for “Floresta”
2010 Arts Council and Cultural Olympiad Grant for “Punch and Judy” interactive application for BBC Big Screens
2009 Arts Council Grants for Arts for Mirror of Infinity 3.0 and its exhibition in Tower Hamlets of London
2009 British Council Grant for exhibition of Floresta in Mobilfest festival in Sao Paulo, Brazil
2008 Nominated to B.tween08 awards for the best interactive artwork
2005 Nominated to DMA05 award for the achievements in promoting British music via internet digital art

………………………………………………………………………………………………………………………………………………………………………………………………………………

SHOWS:

2016 “A PORTRAIT OF YOUR BREATH” , Hallé St Peter’s, Manchester, Manchester, UK
2016 “HUMAN SENSOR” , ESOF 2016, Manchester, UK
2016 “PLANeT” , AHRC Common Ground, York University, York, UK
2016 “PLANeT” , Kings College London, London, UK
2015 “PLANeT” , Gallery Alte Mitte, Essen, Germany
2015 “FRAMED CONTEMPLATION” , Wits Art Museum, Johannesburg, SA
2015 “PLANDSCAPES” , Wits Art Museum, Johannesburg, SA
2015 “THE ANATOMY OF HUMAN BREATH” , Showroom, Sheffield, UK
2014 “A PORTRAIT OF YOUR BREATH” , Science Gallery London, London, UK
2014 “THE ANATOMY OF HUMAN BREATH” , Watermans Centre, London, UK
2014 “ORGANIC CINEMA” (permanent display), Connecting Cities Festival, Media Lab Prado, Madrid, Spain
2014 “ORGANIC CINEMA”, Connecting Cities Festival, M-CULT, Helsinki, Finland
2014 “ORGANIC CINEMA”, FACT, Liverpool, UK
2014 “THE ANATOMY OF HUMAN BREATH”, FoAM, Brussels, Belgium, UK
2014 “THE HUMAN SENSOR – PROTOTYPE”, ICT-ART, Whitehouse, London, UK
2014 “ORGANIC CINEMA”, Connecting Cities Simposium, Transmediale Festival, Berlin, Germany
2013 “ORGANIC CINEMA”, Waterdrinker, Aalsmeer, NL
2013 “ORGANIC CINEMA”, AND Festival, FACT, Liverpool, UK
2013 “ORGANIC CINEMA”, V&A Musuem, London, UK
2013 “ENTROPY”, FILE FESTIVAL 2013, Sao Paulo, Brazil,
2013 “ORGANIC CINEMA”, Pixelache Festival, Helsinki, Finland
2012 “OIl COMPASS”, Dutch Design Week 2012, Eidhoven, NL
2012 “OIl COMPASS”, META.MORF 2012, Trondheim, Norway
2012 “OIl COMPASS”, TRANSNATURAL, Amsterdam, NL
2012 “OIl COMPASS”, CYBERARTS’12, PRIX ARS ELECTRONICA, Linz, Ausrtria
2012 “THE…”, FUTURE EVERYTHING, Manchester, UK
2012 ”THE…”, FIBER Festival, Amsterdam, NL
2012 “Oil Compass”, ARCO Madrid, Spain
2011 “THE…”, SHIFT Festival, Basel, Switzerland
2011 “Oil Compass”, Sabanci Centre, ISEA, Istanbul, Turkey
2011 “Oil Compass”, Witte de With Festival, Rotterdam, NL
2011 “Oil Compass”, V2_ Summer Sessions, Rotterdam, NL
2011 “Oil Compass”, Museum of National Arts, Beijing, China
2011 “Postcards from Wanderings”, Bannister Gallery, Providence, USA
2010 “Unrulyscapes”, To & For Gallery, London
2010 “Serendipitious Pieces”, MOMA, New York, USA, (Sander Veenhof AR exhibition curation)
2010 “Mirror of Infinity 3.0″, Shoreditch Town Hall, “Illumini Festival”, London, UK
2010 “Punch and Judy”, Glastonbury, BBC Big Screens, UK
2010 “Floresta”, PUC Rio, Rio de Janeiro, Brazil
2010 “Mirror of Infinity 3.0“, Idea Store Canary Wharf & Chrisp Street, London,  solo show
2010 “Peregrinations”, Idea Store White Chapel, London,  solo show
2009 ”Serendipitous Pieces”, solo show, 4M Group Gallery”, London,
2009 “Floresta”, MIS, Sao Paulo, Brazil
2009 “10 Seconds of Silence”, Frieze Art Fair, London, UK
2008 “Serendipitous Pieces”, 4M Group Gallery”, London, UK - solo exhibition
2008 “Breaking News”, “B.tween08″ festival, Museum of Science, Manchester, UK
2008 “Breaking News”, FILMobile festival, West London Gallery, London, UK
2008 “Mirror of Infinity”, GLAM, HMS President, London, UK
2007 “Mirror of Infinity”, “EVA” Conference, LCC, London, UK
2007 “Se(a)men”,Was Manner brauchen, Galerie M, Berlin
2007 “Thinking of You”, Yayoi Museum, Tokyo, Japn
2006 “Mirror of Infinity v1.0″,BIGOS, Polish-English Manifestation, Foundry, London, UK
2006 “Keep The Sun Shining”, Creative Links Festival, Truman Brewery, London
2006 “Darling, Can we get out of here?”, Contemporary Art Space Osaka, Art Poses Festival, Osaka, Japan – International Biennale of Modern Art
2005 “Mirror of Infinity v1.0″, Oxo Tower Gallery, London, UK
2005 “1o Seconds of Emoticons”, Frankly Festival, Gallery “Fizek”, Poznan, Poland
2004 “10 Seconds of Silence”, International Biennale of Modern Art, Contemporary Art Space Osaka, Osaka, Japan
2001 “The Mistake”, BBC British Short Film Festival, London , UK
2001 ”The Orchids’ Impression”, London Fashion Week, London, UK
2001 “The Mistake”, Candid Art Trust, London, UK
2001 “The Mistake”, Institute of Contemporary Art, London, UK

………………………………………………………………………………………………………………………………………………………………………………………………………………

RESEARCH INTERESTS & PROJECTS:

1. Environmental Real Time Data / Biodata – looking at ways to transmit, gather and manifest signals and real time information from plants, living organisms, air, sea, soil and us; and its applications in design, architecture and art as starting point of integration of human with “nature”; promoting the view of nature as a collaborator and partner rather than a product and providing a platform of expression to those entities which are often overlooked by us, but are crucial to our well-being. Through the investigation and engagement of real time data I attempt to get us out of the “Um-welt”, so that we could understand more about our environment, its rapid current transition and thus our place in its context. How can we apply Multinatural Democracy?

2. City Residents vs “Nature” – dis/connections and emotional reactions/relations to other than human living entities or entities on which the live is dependent. In the context of environmental changes and disassociation from dirt, soil, microbes etc – are we aware of changes and challenges in our own mental and physical well being? How our own emotional condition is adapting/changing to the times of transition? How can spatial/architectural design help us to identify it?

3. Narratives about the concept of Interconnectedness – Interconnectedness understood as the idea of a state where all things within one system (i.e. our ecosystem/environment) and conditions of their existence are caused by mutual relation and interaction, thus influencing conditions of the whole system. In the age of anthropocene how can we create new stories and myths which would convey this concept in such a way so we can feel an integral part of this planet? What are the tools and methods for us to understand and thus care about oceans and species living far away and in different ecosystem? Oceans and Coral reefs are of a particular interest.

4. Technology / ubiquitous computing / multisensory interfaces as an agent between us and the above topics. – how to augment seamlessly our experience of reality/environment and how to create and convey narratives through mix modes of expression?

………………………………………………………………………………………………………………………………………………………………………………………………………………

PUBLICATIONS & CATALOGUES:

What Urban Media Art Can Do – Why When Where and How?
Publisher: Avedition, 2016
Public Art Lab
Authors: Pop, Susa / Toft, Tanya / Calvillo, Nerea / Wright, Mark
“Organic Cinema”, pp: 166
ISBN 978-3-89986-255-3

FOUNT MAGAZINE
Issue: 1
“Those Who Talk Can Be Helped”
Author: Lisa Schmidt-Herzog
Page start: 51

LIGHT WORKS – EXPERIMENTAL PROJECTION MAPPING
Publisher: Aracne, 2014
“ENTROPY by Kasia Molga & Erik Overmeire”
Author: Francesco Murano
Page start: 45
ISBN: 978-88-548-7148-9

FILE SP2013
Exhibition Catalogue, pp. 76-77. Sao Paulo: SESI. ISBN 978-85-89730-15-0.

Meta.morf 2012: A Matter of Feeling!
Exhibition Catalogue, pp. 52-56. Trondheim: TEKS Publishing. ISBN 978-82-998211-3-1.

Ars Electronica 2012: The Big Picture
Exhibition Catalogue, Linz: Hatje Cantz. ISBN 978-377-573-434-9.

Ars Electronica 2012: CyberArts 2012
Exhibition Catalogue, pp. 136-137. Linz: Hatje Cantz. ISBN 978-3-7757-3435-6.

Digital Public Spaces
Publisher: FutureEverything, 2013
“Taxonomy of the Digital Public Space”
Authors: Naomi Jacobs, Bill Thompson, Jeremy Myerson, Kasia Molga Page start:
http://f.cl.ly/items/153c3F0h1d0a19093u3J/DPS.pdf

Journal of Media Practice
Volume: 10 | Issue: 2&3
“Aesthetics of Mobile Media Art”
Authors: Camille Baker, Max Schleser and Kasia Molga
Page start: 101
http://www.atypon-link.com/INT/doi/abs/10.1386/jmpr.10.2-3.123_1

EVA London 2007
Conference Proceedings
“Wireless Art: the Possibilities of Application of Mobile Communication Media to a Modern, Visual Art Practice and as a Medium of Expression”
Molga, K. et al.
2007. London, UK: London College of Communication, p.16.1